INDUSTRIAL CONTEXT
1920s | The first ‘music video’ was The Jazz Singer (1927) which was one of the first synced audio to image moving picture that allowed you to see performances which weren’t live. |
1930s | Crying for Caroline by Spooney Melody was the first to mix live-action footage to the artist’s performance. These were much rather considered short films than music videos, but nonetheless meet the requirements of a music video today. |
1950s | The Scoptione was a gadget first introduced that is said to have influenced videos being shown on small screens today – such as mobile phones. It was during the rise of jukeboxes when inventor Serge Gainsbourg invested a small 16mm film screen into the jukebox that allowed film to be synced with audio. Since the size of the screen was much smaller and not to the high quality that we are technologically capable of today, the videos mostly consisted of close-ups and medium shots of artists to fit this small frame. |
1960s | With the rise of 16mm film and a new wave of pop culture consisting of broadcast television and artist promotions (such as The Beatles), music videos were becoming increasingly popular and frequent. The Beatles 1965 music video ‘We Can Work It Out’ is considered the first music video to feature on broadcast television, attempting to ‘blend in’ with other content at the time. In 1966, Bob Dylan made a music video for his popular song ‘Subterranean Homesick Blues’ which consists of the lyrics being presented on cardboard, shown in time with the music. This adheres to Andrew Goodwin’s music video theory of emphasising the lyrics through visual components and has suggestively influenced lyric videos seen today. |
1968-1974; Experimental film | One of the most interesting and vast eras to explore, music artists were taking advantage of previous technological advancements, experimenting with film. Artists such as David Bowie, The Rolling Stones and Pink Floyd were at the forefront of this innovation. |
1970s, 1980s | The introduction of MTV (said to have been influenced by the Queen music video Bohemian Rhapsody) allowed an interactive platform between artists and fans to engage in music videos- severely impacting the music industry. Music video ‘Video Killed the Radio Star’ by The Buggles was one of the first music videos to be aired on MTV. The movement proposed a new way for artists to gain recognition from their music videos wherein the artist can have more freedom of expression. |
1990s | With technological still rampaging through new evolutions, directors took to the scene, incorporating creativity and feature-film components into music videos. Despite this, some of the most iconic music videos of the time did not have an expansive budget. 1994 music video ‘Sabotage’ by The Beastie Boys (directed by Spike Joze) was incredibly influential and iconic of its time. |
2000s | The growth of music videos is constantly at its peak with moving image ranging from animation to narrative pieces to humorous videos and preformative arts, there is a range of genres and subcategories to choose from and engage with than ever before. |
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